Meatpaper, recently featured in the New York Times, is a print magazine of art and ideas about meat. The term fleishgeist most appropriately describes the movement:

Fleisch-geist (flish’gist’) n. From the German, Fleisch “meat” + Geist “spirit.” Spirit of the meat. From Zeitgeist, “spirit of the times.”

Meatpaper goes beyond recipes and food, striving to capture the essence or spirit of meat. As Standen states: “Meatpaper is about every way of looking at meat. I think of it as a magazine that’s just as intended for vegetarians as it is for meat eaters.”

Some of our favorite articles included those that strive to examine people’s relation to the meat they eat. Our personal favorite: “Chris Cosentino doesn’t want to eat penis but if he has to, he will” is an interview of head chef Chris Cosentino who specializes in Offal meats. The interview touches on some important issues about how disconnected we are in urban settings from the meat we eat the animals it comes from, as Chris puts it (describing his more exotic dishes): “People say, “oh a tongue, I have one.” Or, “a heart, I can’t eat that.” What I try to do is make people understand a whole-animal ethic.”

The thing we liked best about Meatpaper is that it creates the space for an appreciation of meat that goes beyond the traditional “meat and potatoes” ethos. Meatpaper, like Meat Neutral endeavors to positively embrace our connection to meat. Eating meat is not something to be guilty of, nor should it be a divisive factor limiting our appreciation of vegetarian cuisine.

And finally a parting quote: “We find over and over again that bacon is the conversion meat,” Ms. Standen said. “Bacon is how vegetarians change their minds.” (related see Meat Neutral post: Bacon the Gateway Meat).